Six o'clock after the war
Jan. 11th, 2026 09:08 pm( flashback to October musings )
| unicorns | octopus | enemies to friends | magic | cozy |
| music | prehistory | world building | dancing | love |
| disability | ancient humans | FREE SPACE | sewing | spaceships |
| mercy | magic school | deep sea | dragons | narrowboats |
| elves | grace | tolkien | ecology | trees |

So, I've started brainstorming a cozy fantasy and am discovering that I have many questions about the genre. Chiefly worldbuilding. So far all the cozy fantasies I've read (a grand total of two of them) seem to be set in generic Dungeons and Dragons world.
I wonder if a lot of the appeal is in the safety and familiarity of that setting. Do you think it matters if I try to do something vaguely inspired by Ancient Babylon?
Knowing myself, I know that I am going to want to know where they get their water from, how they cook, who makes the laws and how they're enforced, what the basic theology is, why exactly the 'evil' forces are evil etc. And I will want that to be something other than standard D&D, because that's half the fun of fantasy.
Do you think a slightly more intricate focus on worldbuilding will turn the end product into something that isn't cozy enough?
I will want a little bit of peril, but I think I can keep that down to the level set in Legends and Lattes, the touchstone of cozy.
But I'm also not planning on including a romance. I had enough romance writing in the ten years of writing m/m, and that part of my writing soul is still recoiling in dread when I think about going back. (I hope to go back eventually but I'm so not there yet.)
Is it possible to be 'cozy' while just concentrating on one woman's failing out of wizard school and finding a new career in a fantasy hot country very loosely based on ancient Babylon?
My narrowboat novel has a similar issue of being one woman's rediscovery of herself while on a river journey and resolutely refusing to be in a romance (even though one is offered.)
These are, I think, the fruits of romance burnout, but they certainly don't make either book more typical of their kind.
I didn't realize I'd been writing it on and off for a year, but I hope to finish my cozy narrowboat mystery either this week or the next. All that remains is the wrap up.
I've been kind of writing it around MDZS, which is why it's taken so long. I didn't mean to write anything for MDZS and the next thing I knew I had 80k words or whatnot, but it's meant that the cozy had to take the back foot.
Now, however, I'm closing in on the end of the first draft, and I see that I have in fact got a finished book on my hands.
Only the first draft, of course. It needs a little while to rest before I can begin a first major edit - fitting the journey to the waterways, remembering everyone's names and the names of their boats, and settling on the final form of the quarrel between Susan and Emily.
In that resting time, I'm going to continue the world-building and plotting on the cozy Fantasy I will be writing next, with the plan to start a first draft of that before I go back to editing The Boat of Small Mysteries.
Thanks to my 7+ years of writer's block, I've realized that I stall out, badly, when I come to the end of a writing project and have nothing else to move on to. So this time I'm attempting to close the gap between one book and the next until there is a seamless transition between them.
I would like to touch wood and say that my long period of being unable to write is over. I need to mind the gap rather than falling into it. Wish me luck!